ABSTRACT

Asian Popular Culture in Transition examines contemporary consumption practices in South Korea, China, India, and Japan, and both updates and extends popular culture studies of the region. Through an interdisciplinary lens, this collection of essays explores how recent advances and shifts in information technologies and globalization have impacted cultural markets, fashion, the digital generation, mobile culture, femininity, matrimonial advertising, and a film actress’ image and performance. Drawing upon a diverse range of sources and methods including historical research, content analysis, anthropological observation, textual analyses, and interviews, Asian Popular Culture in Transition makes a significant contribution to this growing area of research.

Given its broad range of countries, theories, and approaches, this book will be of great interest to students and scholars of Asian studies, cultural studies, media and communication studies, and gender studies.

chapter |11 pages

Introduction

part |62 pages

Cultural Markets

part |56 pages

Youth and Techology

chapter |20 pages

Didactic Escapism

New Viewing Practices among China's Digital Generation

chapter |23 pages

K-Pop beyond Asia

Performing Trans-Nationality, Trans-Sexuality, and Trans-Textuality

part |55 pages

Gender

chapter |23 pages

From “Hyper-feminine” to Androgyny

Changing Notions of Femininity in Contemporary China

chapter |15 pages

Bride and Prejudice

Newspaper and Website Matrimonial Advertisements of Indian Women

chapter |15 pages

Fighting for a Hong Kong/Chinese Female Identity

Michelle Yeoh, Body Performance, and Globalized Action Cinema