ABSTRACT

Ivor Armstrong Richards was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot. Principles of Literary Criticism was the text that first established his reputation and pioneered the movement that became known as the 'New Criticism'. Highly controversial when first published, Principles of Literary Criticism remains a work which no one with a serious interest in literature can afford to ignore.

chapter 2|7 pages

The Phantom Aesthetic State

chapter 3|6 pages

The Language of Criticism

chapter 6|6 pages

Value as an Ultimate Idea

chapter 8|5 pages

Art and Morals

chapter 10|9 pages

Poetry for Poetry's Sake

chapter 11|10 pages

A Sketch for a Psychology

chapter 12|6 pages

Pleasure

chapter 13|5 pages

Emotion and the Coenesthesia

chapter 14|4 pages

Memory

chapter 15|6 pages

Attitudes

chapter 16|18 pages

The Analysis of a Poem

chapter 17|12 pages

Rhythm and Metre

chapter 18|13 pages

On Looking at a Picture

chapter 20|6 pages

The Impasse of Musical Theory

chapter 21|5 pages

A Theory of Communication

chapter 23|5 pages

Tolstoy's Infection Theory

chapter 24|9 pages

The Normality of the Artist

chapter 25|7 pages

Badness in Poetry

chapter 29|3 pages

Permanence as a Criterion

chapter 30|5 pages

The Definition of a Poem

chapter 31|10 pages

Art, Play, and Civilization

chapter 32|13 pages

The Imagination

chapter 33|7 pages

Truth and Revelation Theories

chapter 34|11 pages

The Two Uses of Language

chapter 35|15 pages

Poetry and Beliefs