ABSTRACT

In Visual Culture the 'visual' character of contemporary culture is explored in original and lively essays. The contributors look at advertising, film, painting and fine art journalism, photography, television and propaganda. They argue that there is only a social, not a formal relation between vision and truth. A major preoccupation of modernity and central to an understadning of the postmodern, 'vision' and the 'visual' are emergent themes across sociology, cultural studies and critical theory in the visual arts. Visual Culture will prove an indispensable guide to the field.

chapter 1|25 pages

The Centrality of the Eye in Western Culture

An Introduction

chapter 2|16 pages

Advertising

The rhetorical imperative

chapter 3|16 pages

Reporting and Visualising

chapter 4|19 pages

Fractured Subjectivity

chapter 5|19 pages

The City, The Cinema: Modern Spaces

chapter 6|27 pages

Fabulous Confusion! Pop Before Pop?

chapter 7|19 pages

An Art of Scholars

Corruption, negation and particularity in paintings by Ryman and Richter

chapter 8|19 pages

Watching Your Step

The history and practice of the flâneur

chapter 9|9 pages

Reich Dreams

Ritual horror and armoured bodies

chapter 10|20 pages

Television

Not So Much a Visual Medium, More a Visible Object

chapter 11|12 pages

Foucault’s Optics

The (in)vision of mortality and modernity

chapter 12|16 pages

Managing ‘Tradition’

The plight of aesthetic practices and their analysis in a technoscientific culture

chapter 13|20 pages

Photography and Modern Vision

The spectacle of ‘natural magic’

chapter 14|22 pages

Three Images of the Visual

Empirical, formal and normative