ABSTRACT

The understanding of music involves the mastery of its various layers of meaning. Sometimes this meaning can be acquired through human insight; at other times, it can be learned. The central concern of Musical Knowledge is the tension between intuitive and analytical ways of making sense of the world. Keith Swanwick examines this relationship on three levels: in considering music as a way of knowing; as the apparent predicament between qualitative and quantitative research paradigms; and as a tension in education. Keith Swanwick guides his reader from a theoretical exploration of musical knowledge, through an examination of ways of researching the musical experience to a concluding section which will be of direct practical help to teachers. He suggests ways in which music education can be a vital transaction, giving examples across a range of music teaching, including school classroom and instrumental studios. The book will be of interest to anyone who makes or responds to music.

part |2 pages

Part I Musical knowledge and value

chapter 1|15 pages

The nature of musical knowledge

chapter 2|19 pages

Intuition, analysis and symbolic forms

chapter 3|18 pages

Musical knowledge in action

part |2 pages

Part II Researching musical experience

chapter 4|18 pages

Research and the magic of music

chapter 5|19 pages

The development of musical knowledge

chapter 6|19 pages

Assessing musical knowledge

part |2 pages

Part III Musical learning and musical teaching

chapter 7|19 pages

Teaching for musical knowledge

chapter 8|18 pages

Instrumental teaching as music teaching

chapter 9|18 pages

Curriculum and community