ABSTRACT
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Cath
TABLE OF CONTENTS
part |2 pages
Part I The Conditions of Playing
part |2 pages
Part II The Plays