ABSTRACT

Deforming American Political Thought offers an alternative to the dominant American historical imagination, treating issues that range from the nature of Thomas Jefferson's vision of an egalitarian nation to the persistence of racial inequality. Presenting multifaceted arguments that transcend the myopic scope of traditional political discourses, Michael J. Shapiro summons disparate disciplines and genres – architecture, crime stories, novels, films, and jazz/blues music (among others) to provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. The book’s various investigations disclose that there have always been dissenting voices, articulated in diverse genres of expression that cast doubt on the moral purpose and exceptionalism of the American mind.

This highly anticipated updated second edition features a preface focusing on aesthetic theory and the contributions of artistic genres for political analysis, and a completely new chapter on critical thinking about the US western and urban encounters afforded by the two HBO series, Deadwood and The Wire respectively.

chapter 1|30 pages

Securing the American Ethnoscape

Official surveys and literary interventions 1

chapter 2|32 pages

The Micropolitics of Crime

Aesthetic comprehension and the “brutality of fact”

chapter 3|36 pages

Deforming America's Western Imaginary 1

chapter 4|20 pages

HBO's Two Frontiers

Deadwood and The Wire

chapter 5|25 pages

Constructing America

Architectural thought-worlds 1

chapter 6|33 pages

Composing America

chapter 7|32 pages

Democracy's Risky Businesses

Pluralism and the metapolitics of aesthetics