ABSTRACT

The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts.

Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations.

By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.

chapter |7 pages

Introduction

chapter 1|19 pages

Architecture before the body?

Articulation and proportion in Archaic and Classical Greece

chapter 2|18 pages

Healing in motion

Locotherapy and the architecture of the Pergamene Asklepieion in the second century ce

chapter 3|22 pages

The crafted bodies of Suger

Reconsidering the matter of St-Denis

chapter 4|19 pages

Gothic skins

Penitents at the cathedral

chapter 6|19 pages

Visceral space

Dissection and Michelangelo’s Medici Chapel

chapter 7|14 pages

Soaking in architecture

Montaigne, thermal baths and sixteenth-century medical treatises

chapter 9|20 pages

The eye of modernity

Form, proportion and rhythm in German architectural history of the nineteenth and early twentieth centuries

chapter 10|19 pages

Body and space, Gothic and Cubism

A Czech avant-garde between empathy, aesthetics and science

chapter 11|21 pages

Rehabilitating the invalid body

Architecture and citizenship in Jaap Bakema’s design for a Dutch postwar village for the disabled

chapter 12|17 pages

Sacred fortresses

The church of Ste-Bernadette of Banlay and the mechanized body in postwar France

chapter |2 pages

Epilogue