ABSTRACT

Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix offers a set of open-ended guidelines for art and design studio-based projects. The creative application of appropriation and remix are now common across creative disciplines due to the ongoing recycling and repurposing of content and form. Consequently basic elements which were previously exclusive to postproduction for editing image, sound and text, are now part of daily communication. This in turn pushes art and design to reconsider their creative methodologies.

Author Eduardo Navas divides his book into three parts: Media Production, Metaproduction, and Postproduction. The chapters that comprise the three parts each include an introduction, goals for guidelines of a studio-based project, which are complemented with an explanation of relevant history, as well as examples and case studies. Each set of guidelines is open-ended, enabling the reader to repurpose the instructional material according to their own methodologies and choice of medium. Navas also provides historical and theoretical context to encourage critical reflection on the effects of remix in the production of art and design.

Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix is the first book of guidelines to take into account the historical, theoretical, and practical context of remix as an interdisciplinary act. It is an essential read for those interested in remix studies and appropriation in art, design and media.

chapter |4 pages

Introduction

part I|3 pages

Media Production

chapter 1|11 pages

Randomized Signification

Elements for Exchange

chapter 2|10 pages

Analogized Codification

Mashups of Image and Text

chapter 3|10 pages

Sampling Creativity

Material Sampling and Cultural Citation

chapter 4|9 pages

Vectorial Pixels

Visual Aesthetics of Binary Code

chapter 5|11 pages

Bifurcated Meaning

Infliction of Statements

chapter |11 pages

Modernism and Media Production

part II|3 pages

Metaproduction

chapter 6|9 pages

Domesticated Noise

Manipulation of Sound

chapter 7|9 pages

Visual Aurality

Image and Sound as Data

chapter 8|10 pages

Versioning Time-Based Media

Re-edits of Video and Sound

chapter 9|8 pages

Time-Based Media in Physical Space

Loops in Video and Sound Installations

chapter 10|10 pages

The Assemblage Gaze

Of Media and Humans

chapter |11 pages

Postmodernism and Metaproduction

part III|3 pages

Postproduction

chapter 11|9 pages

Media Mashups

Appropriation and Remix of Image, Sound, and Text

chapter 12|9 pages

Regenerative Motion

Correlated Time-Based Media

chapter 13|8 pages

Regenerative Data

Aesthetics of Data-Driven Objects

chapter 14|11 pages

Distributed Collaboration

Collective Work across Networks

chapter 15|10 pages

Aesthetics of Negation

The Selective Process

chapter |13 pages

The Prefix and Postproduction