ABSTRACT

This book explores the Gothic mode as it appears in the literature, visual arts, and culture of different areas of Latin America. Focusing on works from authors in Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays in this volume illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the United States. The book asks questions such as: Is there such a thing as "Latin American Gothic" in the same sense that there is an "American Gothic" and "British Gothic"? What are the main elements that particularly characterize Latin American Gothic? How does Latin American Gothic function in the context of globalization? What do these elements represent in relation to specific national literatures? What is the relationship between the Gothic and the Postcolonial? What can Gothic criticism bring to the study of Latin American cultural manifestations and, conversely, what can these offer the Gothic? The analysis performed here reflects a body of criticism that understands the Gothic as a global phenomenon with specific manifestations in particular territories while also acknowledging the effects of "Globalgothic" on a transnational and transcultural level. Thus, the volume seeks to open new spaces and areas of scholarly research and academic discussion both regionally and globally with the presentation of a solid analysis of Latin American texts and other cultural phenomena which are manifestly related to the Gothic world.

chapter |12 pages

Introduction

Latin America, the Caribbean, and the Persistence of the Gothic

section I|41 pages

(Re)Visions of History

chapter 1|12 pages

Civilization and Barbarism and Zombies

Argentina’s Contemporary Gothic

chapter 2|14 pages

Rural Horrors in Chilean Gothic

section II|52 pages

Displacement, Transposition, Tropicalization

chapter 4|14 pages

Machado de Assis’s Nightmarish World

Displacements of the Gothic in Brazil

chapter 7|11 pages

Gothic in the Tropics

Transformations of the Gothic in the Colombian Hot Lands

section III|45 pages

Occupation and Incarceration

chapter 8|13 pages

“I’ll Be Back”

The United States’ Occupation of Puerto Rico and the Gothic

chapter 9|16 pages

Marie Vieux Chauvet’s World-Gothic

Commodity Frontiers, “Cheap Natures” and the Monstrous-Feminine

chapter 10|14 pages

Casa por cárcel

Incarcerating Homes in Costa Rican Life and Fiction

section IV|49 pages

Science, Technology, and the Uncanny

chapter 12|17 pages

Aura, “Constancia,” and “Sleeping Beauty”

Carlos Fuentes’s Little History on Photography

chapter 13|13 pages

Media, Shadows, and Spiritual Bindings

Tracing Mexican Gothic in Óscar Urrutia Lazo’s Rito terminal

section V|57 pages

Contemporary Gothic Paradigms

chapter 14|19 pages

The Vampiric Tradition in Peruvian Literature

A Long Journey from Modernist Conventions to Gothic Postmodernism Ruptures

chapter 15|13 pages

Cultural Cannibalism

Gothic Parody in the Cinema of Ivan Cardoso

chapter 17|12 pages

Towards a Darker Reality

The Post-Gothic Simulacrum in Edmundo Paz Soldán’s Los vivos y los muertos