ABSTRACT

En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.

part I|64 pages

A little theory goes a long way

chapter 1|7 pages

What is chanson?

chapter 2|13 pages

How do you write about chanson? 1

chapter 4|16 pages

The gender of the genre

chapter 6|6 pages

The Frenchness of chanson

part II|102 pages

Practice makes perfect

chapter 7|18 pages

Precursors

chapter 8|10 pages

The charm of Charles Trenet

chapter 9|9 pages

Charles Aznavour: a sentimental realist

chapter 12|13 pages

Jacques Brel: the dramatic synthesis

chapter 13|8 pages

Barbara: performing the feminine

chapter 14|9 pages

Serge Gainsbourg: how to win by cheating

part III|54 pages

Innovation and renovation: the Nouvelle chanson française