ABSTRACT

This book examines the constructions and representations of male and female Sikhs in Indian and diasporic literature and culture through the consideration of the role of violence as constitutive of Sikh identity. How do Sikh men and women construct empowering identities within the Indian nation-state and in the diaspora? The book explores Indian literature and culture to understand the role of violence and the feminization of baptized and turbaned Sikh men, as well as identity formation of Sikh women who are either virtually erased from narratives, bodily eliminated through honor killings, or constructed and represented as invisible. It looks at the role of violence during critical junctures in Sikh history, including the Mughal rule, the British colonial period, the Partition of India, the 1984 anti-Sikh riots in India, and the terror of 9/11 in the United States. The author analyzes how violence reconstitutes gender roles and sexuality within various cultural and national spaces in India and the diaspora. She also highlights questions related to women’s agency and their negotiation of traumatic memories for empowering identities.

The book will interest scholars, researchers, and students of postcolonial English literature, contemporary Indian literature, Sikh studies, diaspora studies, global studies, gender and sexuality studies, religious studies, history, sociology, media and films studies, cultural studies, popular culture, and South Asian studies.

chapter 1|32 pages

Introduction

chapter 2|10 pages

Mughal India and Colonialism

Revising History, Gender Identity, and Violence in Bhai Veer Singh’s Sundri

chapter 5|11 pages

Partition Narratives and Sikh Gendered Identity Construction

Memory of Violence in Khushwant Singh’s Train to Pakistan

chapter 7|21 pages

Violence, State Terror, and Gendered Sikh Identity

The Aftermath of Operation Blue Star in Gulzar’s 1996 Hindi film Maachis and Anurag Singh’s 2013 Punjabi film Punjab 1984

chapter 8|10 pages

Traumatized Sikh Male and Female Subjects

Representations of Trauma and Memory in Amitoj Mann’s 2003 Punjabi Film Hawayein

chapter 9|13 pages

(En)Gendering Nations in Manoj Punj’s 2004 Punjabi Film Des Hoyaa Prades

When One’s Nation Becomes a Foreign Territory

chapter 11|11 pages

Once Again, the Turban

Terror and Gendered Sikh Identity in Liam Dalzell’s Punjabi Cab, Satdeep Singh’s Taaj, and Sarab Singh Neelam’s Ocean of Pearls

chapter 12|12 pages

Gendering the Sikh Diaspora and Transnational Feminism

The Construction of Sexuality in the Poems of Sukhjeet Kaur Khalsa, Sharapal Ruprai, and Rupi Kaur