ABSTRACT

Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts.

Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre.

The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept—namely the fundamental techniques artists use to create sound scores for theatre.

With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul—a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time.

chapter 1|12 pages

Why This Book?

part I|47 pages

The Nature of Time

chapter 2|25 pages

Let There Be a Big Bang

chapter 3|19 pages

The Great Mystery of Time

part II|46 pages

Music = Time Manipulated

chapter 4|16 pages

What Is Music?

chapter 5|28 pages

Primate Numbers

part III|79 pages

Song = Music + Idea

chapter 6|24 pages

Campfire Songs

Rhythm and Entrainment

chapter 7|25 pages

Music and Language

chapter 8|28 pages

Consonance and Dissonance

The Evolution of Line

part IV|138 pages

Theatre = Song + Mimesis

chapter 9|34 pages

Ritual, Arousal, Reward, Ecstasy

chapter 10|41 pages

Music, Mimesis, Memory

chapter 11|18 pages

The Bronze Age and the Invention of Writing

chapter 12|43 pages

Conclusion: Evolution and Greek Theatre