ABSTRACT

In Ecocinema in the City, Murray and Heumann argue that urban ecocinema both reveals and critiques visions of urban environmentalism. The book emphasizes the increasingly transformative power of nature in urban settings, explored in both documentaries and fictional films such as Children Underground, White Dog, Hatari! and Lives Worth Living. The first two sections—"Evolutionary Myths Under the City" and "Urban Eco-trauma"—take more traditional ecocinema approaches and emphasize the city as a dangerous constructed space. The last two sections—"Urban Nature and Interdependence" and "The Sustainable City"—however, bring to life the vibrant relationships between human and nonhuman nature. Ecocinema in the City provides a space to explore these relationships, revealing how ecocinema shows that both human and nonhuman nature can interact sustainably and thrive.

chapter |14 pages

Introduction

Urban Nature on Film

part I|31 pages

Evolutionary Myths under the City

chapter 1|15 pages

The City, The Sewers, The Underground

Reconstructing Urban Space in Film Noir

chapter 2|16 pages

Documenting Environmental Adaptation under the City

Children Underground (2001)

part II|37 pages

Urban Eco-Trauma

chapter 3|21 pages

Girls in the Hood

An Eco-Trauma of Girlhood

chapter 4|16 pages

Dogs and Eco-Trauma

The Making of a Monster in White God

part III|56 pages

Urban Nature and Interdependence

chapter 5|21 pages

Hatari Means Danger

Filmic Representations of Animal Welfare and Environmentalism at the Zoo

chapter 6|17 pages

Eco-Therapy in Central Park

Documenting Urban Birdwatching

chapter 7|18 pages

Green Lungs

Partnering with Nature in the Urban Garden Film

part IV|34 pages

The Sustainable City

chapter 8|18 pages

Urban Farming on Film

Moving Toward Environmental Justice in the City

chapter |13 pages

Conclusion

The “Absent City” of the Future