ABSTRACT

This book scrutinizes physical, temporal and psychological strata across early twentieth-century literature, focusing on geological and archaeological tropes and conceptions of the stratified psyche. The essays explore psychological perceptions, from practices of envisioning that mimic looking at a painting, photograph or projected light, to the comprehension of the palimpsestic complexities of language, memory and time. This collection is the first to see early twentieth-century physical, temporal and psychological strata interact across a range of canonical and popular authors, working in a variety of genres, from theatre to ghost stories, children’s literature to modernist magna opera.

chapter |8 pages

Introduction

chapter 2|16 pages

“As a Burnt Circle”

Thomas Hardy’s Visible Voices

chapter 3|21 pages

The Dead City

Eleonora Duse and the Archaeology of the Soul

chapter 4|20 pages

Excavating Children

Archaeological Imagination and Time-Slip in the Early 1900s

chapter 5|20 pages

The Sphinx at the Séance

Literature, Spiritualism and Psycho-Archaeology

chapter 6|20 pages

The “Carefully-Constructed Screen”

Phantasmagorical Strata in the Ghost Stories of M. R. James

chapter 7|18 pages

Vernon Lee

Excavating The Spirit of Rome

chapter 8|20 pages

Mind Strata

Layers of Consciousness in James Joyce’s Ulysses