ABSTRACT

Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form, Second Edition is a textbook directed at all those—whether beginners or more advanced students—interested in gaining understanding of and facility at applying Schenker’s ideas on musical structure. It begins with an overview of Schenker’s approach to music, and then progresses systematically from the phrase and its various combinations to longer and more complex works. Unlike other texts on this subject, Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate instructor’s manual provides additional advice and solutions (graphs) of all recommended assignments.

This second edition has been revised to make the early chapters more accessible and to improve the pedagogical effectiveness of the book as a whole. Changes in musical examples have been carefully made to ensure that each example fully supports student learning. Informed by decades of teaching experience, this book provides a clear and comprehensive guide to Schenker’s theories and their applications.

part I|132 pages

Concepts and Terminology

chapter 1|25 pages

Schenker’s Conception of Musical Structure

An Overview

chapter 2|21 pages

The Phrase and Parallel Phrases

chapter 3|29 pages

Phrase Rhythm and Phrase Expansion

chapter 4|24 pages

Contrasting Phrases

chapter 5|31 pages

Ternary (Rounded Binary) Form

part II|158 pages

Applications

chapter 6|23 pages

Baroque One-Part and Two-Part Forms (Bach)

chapter 7|37 pages

Ternary Form

chapter 8|36 pages

Sonata Form 1

chapter 9|21 pages

Sonata Form 2

Motivic Development

chapter 10|39 pages

Music and Text