ABSTRACT

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process.

Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Pérez-Gómez.

Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

chapter |6 pages

Introduction

part I|77 pages

Performativity

chapter 3|11 pages

Hot-air balloon movements to stillness

Uplifting atmospherics and the architecture of flight

chapter 4|12 pages

Narrating the spatiality of silence

Drawing from the silence of Samuel Beckett and Andrei Tarkovsky

chapter 5|5 pages

Silence in place

An interview with Jeff Malpas

part II|99 pages

Communication

chapter 6|37 pages

Silence, music and architectural design

Stillness and transparency in the work of Arvo Pärt and John Cage

chapter 7|30 pages

Silence in architectural education

chapter 9|5 pages

Keeping silent to listen

An interview with Alberto Pérez-Gómez