ABSTRACT

Many African diasporic novelists and poets allude to or cite archival documents in their writings, foregrounding the elements of archival research and data in their literary texts, and revising the material remnants of the archive. This book reads black historical novels and poetry in an interdisciplinary context, to examine the multiple archives that have produced our historical consciousness. In the history of African diaspora literature, black writers and intellectuals have led the way for an analysis of the archive, querying dominant archives and revising the ways black people have been represented in the legal and hegemonic discourses of the west. Their work in genres as diverse as autobiography, essay, bibliography, poetry, and the novel attests to the centrality of this critique in black intellectual culture. Through literary engagement with the archives of the slave trader, colonizer, and courtroom, creative writers teach us to read the archives of history anew, probing between the documents for stories left untold, questions left unanswered, and freedoms enacted against all odds. Opening new perspectives on Atlantic history and culture, Walters generates a dialogue between what was and what might have been. Ultimately, Walters argues that references to archival documents in black historical literature introduce a new methodology for studying both the archive and literature itself, engaging in a transnational and interdisciplinary reading that exposes the instability of the archive's truth claim and highlights rebellious possibility.

chapter |9 pages

Introduction

Black Historical Literature and the Archive

part I|48 pages

Diaries, Letters, and Scrapbooks

chapter 1|15 pages

Fiction and Documents

Patricia Powell's The Pagoda

chapter 2|14 pages

Archives of Anthropology and Psychoanalysis

V.Y. Mudimbe's The Rift

chapter 3|17 pages

Prison or Paradise?

Archiving the Black American West in Toni Morrison's Paradise

part II|83 pages

Reading Rebellion

chapter 4|21 pages

Elizabeth Alexander's “Amistad”

Reading the Black History Poem through the Archive

chapter 5|19 pages

“Object Into Subject”

Michelle Cliff, John Ruskin, and the Slave Ship

chapter 6|21 pages

The Spectral Ledger

Fred D'Aguiar's Feeding the Ghosts

chapter 7|16 pages

Reading the Archive, Looking for Bones

chapter |4 pages

Epilogue

Toward an Aspirational Archive