ABSTRACT

At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.

chapter |14 pages

Introduction

The Contemporaneity of Modernism

part I|48 pages

Modernism's Temporality

chapter 1|14 pages

Abstract in Concrete

Brutalism and the Modernist Half-Life

chapter 2|18 pages

Our Last September

Climate Change in Modernist Time

part II|56 pages

Modernism's Literary Afterlives

chapter 4|15 pages

Relative Autonomy

Pierre Bourdieu and Modernism

chapter 6|14 pages

Impressionism After Film

chapter 7|14 pages

Involutions of the Word

Lorrie Moore and Jonathan Lethem

part III|44 pages

Modernism's Global Economies

chapter 8|13 pages

The Fidget Manifesto

Fast Capital, the Gesture, and Growth in Modernist Culture

chapter 9|14 pages

“The Highways of Empire”

Geopolitics, Modernism, and Committed Reading

chapter 10|15 pages

“La furia de la materia”

On the Non-Contemporaneity of Modernism in Latin America

part IV|53 pages

Modernism's Media

chapter 11|13 pages

To Burn or not to Burn

Modernism's Photographic Exposures

chapter 12|12 pages

The Plain Viewer Be Damned

Or, Modernism on TV

chapter 13|13 pages

Modernist Binge-Watching

chapter |9 pages

Afterword