ABSTRACT

This book investigates the Casa de Montejo and considers the role of the building’s Plateresque façade as a form of visual rhetoric that conveyed ideas about the individual and communal cultural identities in sixteenth-century Yucatán. C. Cody Barteet analyzes the façade within the complex colonial world in which it belongs, including in multicultural Yucatán and the transatlantic world. This contextualization allows for an examination of the architectural rhetoric of the façade, the design of which visualizes the contestations of autonomy and authority occurring among the colonial peoples.

chapter |33 pages

Introduction

chapter 1|36 pages

The Casa de Montejo and Mérida

chapter 4|15 pages

Tihó-Mérida and the Casa de Montejo

chapter |5 pages

Conclusion