ABSTRACT
Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus.
This is the first anthology dedicated to analysing cinema’s relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing on insights from science and technology studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes not only cinema’s implication in imperial conquest but also its cutting-edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts and films made in or about peoples in South America, Asia, Africa, Indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau alongside amateur and scientific filmmakers.
The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields.
TABLE OF CONTENTS
part One|68 pages
Explorations in Perception
chapter Two|17 pages
Chasing Bugs
chapter Three|17 pages
Through the Body with Laser Gun and Camera
chapter Four|16 pages
Outer and Inner Space
part Two|92 pages
Cinema of Expedition
chapter Six|16 pages
Chance Wrote the Screenplay, Reality Directed the Film
chapter Seven|18 pages
Environmental Aesthetics
chapter Ten|23 pages
Sounding Travel Documentary in Wartime China
part Three|63 pages
Narratives of Exploration
chapter Thirteen|17 pages
Adventure Cinema in the Age of Austerity
part Four|50 pages
Cinema of Exploitation
chapter Fifteen|19 pages
Mondo Exotica
chapter Sixteen|14 pages
From Pierre Perrault to Rolf de Heer
part |23 pages
Coda