ABSTRACT

Reflective Reading and the Power of Narrative: Producing the Reader is an interdisciplinary exploration into the profound power of narratives to create—and recreate—how we imagine ourselves. It posits that the process of producing a text also produces the reader.

Written from the perspective of a psychoanalytic feminist, Sproles considers a wide array of examples from literature, popular culture, and her own experiences to illustrate what she calls "reflective reading"—a metacognitive reading practice that recognizes the workings of the unconscious to push the reader toward a potentially transformational engagement with narrative. This may manifest as epiphany, recovery from loss or resolution of repressed trauma. Each chapter draws on examples of characters and authors who model a reflective reading process from Jane Austen and Virginia Woolf to Johnny Cash and Alison Bechdel.

By reclaiming the role of the unconscious, Karyn Sproles reinvigorates the theoretical work begun by reader-response criticism and develops a deep understanding of identification and transference as an integral part of the reading process. For students and researchers of cultural studies, psychoanalysis, gender studies and feminist literature and theory, Reflective Reading and the Power of Narrative offers innovative and accessible ideas on the relationship between reader and text.

The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. 

part 1|73 pages

Why we need stories and the stability of the subject

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chapter 2|28 pages

Reflective reading

Beyond reader-response to the unconscious of reading
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chapter 3|12 pages

Out classed

The family romance as fantasy of upward mobility
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chapter 4|22 pages

To write a different story

Reflective reading as a pedagogical practice of restorative justice for racial oppression
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part 2|59 pages

History as méconnaissance

chapter 5|30 pages

Modernist biography and méconnaissance

76The Bloomsbury Group’s Oedipal resolution
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chapter 6|28 pages

The quilting point 1

Vita Sackville-West’s secular Joan of Arc
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part 3|60 pages

Narrative instability

chapter 8|16 pages

Walking contradiction

Johnny Cash and the instability of the subject
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chapter 9|22 pages

Depicting the undepictable

The reflective analysis of Alison Bechdel’s Are You My Mother?
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chapter |2 pages

Afterword

A twisted wrench and a sunbonnet quilt
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