ABSTRACT
The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change.
Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.
TABLE OF CONTENTS
part One|116 pages
History and Context
chapter 3|16 pages
The Role of Women in Music Production in Spain During the 1960s
chapter 5|15 pages
“Hey boy, hey girl, superstar DJ, here we go …”
chapter 6|23 pages
She Plays the Pipe
part Two|47 pages
Women in the Studio
chapter 10|16 pages
Twists in the Tracks
part Three|44 pages
Personal Perspectives
chapter 11|12 pages
Women in Audio
chapter 12|12 pages
Three-Pronged Attack
part Four|68 pages
Industrial Evolution