ABSTRACT

First published in 2002. This book surveys how and to what effect Shelley uses erotic narratives to mask political rhetoric within his attempts to describe and bring forth utopia. Posing erotic relationships as both an exemplar of the inequities of power and a paradigm for alternative social orders that dismantle oppressive structures, it argues Shelley’s work imagines a space where the rigidity of tyranny succumbs to the liberation of ecstatic union. From the Romantics to the Aesthetes, it argues that this model contributed to a counter-tradition in British literature which situates the erotic as a trope for political discourse. This work will be of interest to students of literature.

chapter |46 pages

Introduction Situating the Erotic

The Spaces and Places of Excess

part |123 pages

The Problem

chapter |71 pages

Shelley's Agenda Writ Large

Reconsidering Œdipus Tyrannus; or, Swellfoot the Tyrant

chapter |49 pages

Tyranny and Liberation, or Rigidity and Ooziness

Physical and Psychological Landscapes in The Cenci and Julian and Maddalo

part |148 pages

The Solution

chapter |52 pages

Revolutionary Landscapes and the Politics of Love

Epipsychidion as Erotic Cartography

chapter |60 pages

Mapping the Ideal

Pleasure and Displacement in Laon and Cythna and Prometheus Unbound

chapter |34 pages

Conclusion Re-Tracing Seduction

The Influence of Shelley on Nineteenth-Century British Culture