ABSTRACT

What is physical dramaturgy? While the traditional dramaturg shares research intellectually, the physical dramaturg does so viscerally and somatically. By combining elements of text, history, dramatic structure, and the author’s intent with movement analysis and physical theatre pedagogies, the physical dramaturg gives actors the opportunity to manifest their work in a connected and intuitive manner and creates a field that is as varied and rich as the theatre itself.

Physical Dramaturgy: Perspectives from the Field explores the ways in which this unique role can benefit the production team during the design and rehearsal phases of both traditional and devised productions. Individual chapters look at new ways of approaching a wealth of physical worlds, from the works of Shakespeare and other period playwrights to the processes of Jerzy Grotowski, Lloyd Williamson, Richard Schechner, and Michael Chekhov, and devising original works in a variety of contexts from Pig Iron, Dell’Arte International, Bill Bowers and mime, Tectonic Theater Project, and Liz Lerman’s Dance Exchange.

This anthology gives dramaturgs, actors, and directors new ways of looking at existing methods and provides examples of how to translate, combine, and adapt them into new explorations for training, rehearsal, or research.

part I|59 pages

Historical styles and case studies from the Greeks to contemporary theatre

chapter 1|15 pages

Embodying Greek period style

Physical dramaturgy in staging Euripides’ Medea

chapter 2|11 pages

Festina Lente and Sprezzatura in action

Unlikely sources of physical dramaturgy in Shakespeare’s Love’s Labour’s Lost and As You Like It

chapter 4|10 pages

Period style

The physical dramaturgy of Loyd Williamson’s Salon

part II|40 pages

Inner landscapes: Dramaturgy from within

chapter 6|7 pages

Dramaturgy as litany

chapter 7|11 pages

A dramaturgy of embodiment

The study and practice of experiential anatomy

chapter 8|8 pages

The augmented body

chapter 9|13 pages

Mining the imagination

A physical approach to the creation of story with Action Theater

part III|54 pages

Acts of translation: Physical dramaturgy in the rehearsal room

chapter 10|16 pages

Devising Brechtian Moments

The transformation of traditional dramaturgy into physical dramaturgy

chapter 11|12 pages

“Lit from within”

Non-traditional casting in Chekhovian realism through physical dramaturgy

chapter 13|8 pages

Quadruple threat musical theatre

Adding the physical dramaturg

part IV|68 pages

Physical dramaturgy in the devising process

chapter 15|10 pages

The search for synecdoche

Insight into Pig Iron Theatre Company’s physical dramaturgy. Quinn Bauriedel interview, July 29, 2016

chapter 16|18 pages

Devising ‘madness’

Physical dramaturgy in The Ophelia Project and Asylum

chapter 19|6 pages

Moment Work

Exploring the full potential of the stage. Moisés Kaufman interview, July 20, 2017

chapter 20|14 pages

Physical dramaturgy

Reflections for the actor, director, designer, and deviser