ABSTRACT

"Outstanding … a technical manual (for actors and directors), an historical document of importance, and a volume that is a delight to read." Ian Watson, Rutgers

"An extremely valuable personal account of Roberta Carreri’s process as an actor." Alison Hodge, Artistic Director, The Quick and the Dead

"An excellent book with a unique voice." Ben Spatz, University of Huddersfield

Roberta Carreri is one of acclaimed theatre company Odin Teatret's longest-serving actors, and the last to be trained by Eugenio Barba himself. In this book, she relives the milestones of her professional journey, including:

  • her first experiences of street theatre
  • the discovery of Asian performance traditions
  • pedagogical activities and character creation
  • encounters with artists and spectators
  • the inception of her solo performances, Judith and Salt

Interwoven with rich photographic documentation and a wealth of biographical information, this inspiring handbook reveals the professional secrets of an Odin Teatret actor as well as the story of a life of work, research, and passion.

part 1|179 pages

The story and the training

chapter 1|3 pages

Introduction

chapter 2|8 pages

Milan and some dates

chapter 3|6 pages

Holstebro and Carpignano Salentino

chapter 4|6 pages

The transmission of experience

chapter 5|3 pages

Exercises and principles

chapter 6|3 pages

Slow motion

chapter 7|5 pages

Composition

chapter 8|5 pages

Introversion and extroversion

chapter 9|4 pages

Denmark

chapter 10|7 pages

Geronimo and street theatre

chapter 11|5 pages

Sources of inspiration

chapter 12|3 pages

Dialogue with tiredness

chapter 13|6 pages

Segmentation

chapter 14|2 pages

Being decided

chapter 15|9 pages

Thought in action

chapter 16|5 pages

Improvisations

chapter 17|5 pages

Individual improvisation

chapter 18|5 pages

Composing a character

chapter 19|5 pages

A little digression into private life

chapter 20|4 pages

Marble

chapter 21|9 pages

Meeting the Asian masters

chapter 22|7 pages

Judith

chapter 23|9 pages

Notes on improvisation

chapter 24|8 pages

The voice in training and in performance

chapter 25|10 pages

Salt 1

chapter 26|13 pages

Our chronic life 1

chapter 27|4 pages

Metamorphosis

chapter 28|18 pages

Photographs

A gallery of characters

part 2|27 pages

The workshop

chapter 29|25 pages

‘The Dance of Intentions'

part 3|21 pages

Perspectives

chapter 30|4 pages

A memory not only for and by itself

A note on methodology by Francesca Romana Rietti

chapter 31|15 pages

Backward steps

Epilogue by Nando Taviani