ABSTRACT

This volume in the Routledge Medieval Casebooks series explores medieval rhetorical practices. Ten original essays examine the ways in which contemporary readers and scholars might employ rhetorical theory to illuminate underlying meanings in medieval texts. The contributors also explore how rhetoric was used as a means of textual innovation in the work of medieval authors such as Chaucer and his contemporaries.

chapter 1|24 pages

The Medieval Art of Poetry and Prose: The Scope of Instruction and the Uses of Models

The Scope of Instruction and the Uses of Models Douglas Kelly

chapter 2|16 pages

Alphabets and Rosary Beads in Chaucer’s An ABC

Georgiana Donavin

chapter 3|22 pages

On the Usefulness and Use Value of Books: A Medieval and Modern Inquiry

A Medieval and Modern Inquiry Ann W. Astell

chapter 4|28 pages

The Prioress’s Oratio ad Mariam and Medieval Prayer Composition

Timothy L. Spence

chapter 5|18 pages

Time as Rhetorical Topos in Chaucer’s Poetry

Martin Camargo

chapter 6|18 pages

Argument and Emotion in Troilus and Criseyde

Peter Mack

chapter 8|14 pages

The Traces of Invention: Phatic Rhetoric, Anthology, and Intertextuality in Sir Gawain and

Phatic Rhetoric, Anthology, Intertextuality in Sir Gawain and Melissa Putman Sprenkle

chapter 9|56 pages

“The Word Was Made Flesh”: Gendered Bodies and Anti-Bodies in Twelfth- and Thirteenth-Century Arts of Poetry

Gendered Bodies and Anti-Bodies in Twelfth- and Thirteenth-Century Arts of Poetry Robin Hass Birky

chapter 10|30 pages

Unwritten between the Lines: The Unspoken History of Rhetoric

The Unspoken History of Rhetoric Scott D. Troyan