ABSTRACT

How to Work the Film & TV Markets takes independent filmmakers, television and digital content creators on a virtual tour of the entertainment industry’s trade shows — the circulatory system of the entire global media landscape. This book highlights the most significant annual events around the world, details a dossier of all the players that frequent them and examines all the elements that drive the market value and profitability of entertainment properties. In-the-trenches insights from our modern, real-world marketplace are contextualized into immediately implementable practical advice. Make the most of your finite investments of funds, time and creative energy to optimize your odds for success within the mainstream, business-to-business circuit but learn how to select, apply and scale prudent, proven principles to drive your own Do-It-Yourself/Direct-to-the-Consuming-Crowd fundraising, distribution and promotional success.

Heather Hale demystifies these markets, making them less intimidating, less confusing and less overwhelming. She shows you how to navigate these events, making them far more accessible, productive — and fun!

This creative guide offers:

  • An in-depth survey of the most significant film, TV and digital content trade shows around the world;
  • An overview of the co-production market circuit that offers financing and development support to independent producers;
  • An outline of the market-like festivals and key awards shows;
  • A breakdown of who’s who at all these events — and how to network with them;
  • Hot Tips on how to prepare for, execute and follow up on these prime opportunities;
  • Low-budget key art samples and game plans;
  • A social media speed tour with a wealth of audience engagement ideas.

Visit the book’s space on www.HeatherHale.com for additional resources and up-to-date information on all these events.

chapter |8 pages

Introduction

part I|13 pages

The Markets

chapter 1|11 pages

What Is a Market?

part II|15 pages

The Global Film Industry

part |37 pages

The Film Markets

chapter 5|8 pages

The European Film Market (EFM)

chapter 6|11 pages

The American Film Market (AFM)

chapter 7|6 pages

Regional Film Markets

part III|20 pages

The Worldwide Television and Digital Media Business

chapter 8|4 pages

Mise en Scène 1

chapter 9|3 pages

The Studio Scene

LA Screenings, the Upfronts (and NewFronts)

chapter 10|11 pages

The Players on the TV Market Stage

part |24 pages

The TV Markets

chapter 11|8 pages

The MIP Markets

chapter 13|5 pages

Realscreen

part IV|19 pages

Co-Production Markets

chapter 16|4 pages

Berlinale Co-Production Market

chapter 17|11 pages

Co-Production Markets

part V|90 pages

Before

chapter 18|5 pages

Start with the End in Mind

chapter 19|10 pages

Know Your Product

chapter 20|3 pages

Know Your Target Audience(s)

chapter 21|7 pages

Polish Your Pitch and Marketing Materials

chapter 22|29 pages

Develop Key Art

chapter 23|28 pages

What Goes Into a Pitch Package?

chapter 24|6 pages

Gearing Up For Each Event

part VI|12 pages

During

chapter 25|5 pages

Scheduling and Logistics

chapter 26|5 pages

Taking Meetings at the Market

part VII|4 pages

After

chapter 27|2 pages

Gauging Success

part VIII|34 pages

Important Annual Ancillary Events

chapter 28|10 pages

Top Ten Market-Like Film Festival

chapter 30|3 pages

Television Festivals

chapter 31|2 pages

International Documentary Festivals

chapter 32|6 pages

Awards Shows

chapter 33|3 pages

Overlapping Industries' Events

chapter 34|1 pages

Significant Consumer Events

chapter 35|2 pages

Denouement 1