ABSTRACT
Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary music of Central America, the essays in this book find surprising, paradigm-shifting revelations. This book will revolutionize the way music production and consumption is viewed. First published in 2002.
TABLE OF CONTENTS
part |42 pages
Commodification and Music Scholarship
part |35 pages
Capitalism and Musical Poetics
part |85 pages
Relations of Production
part |71 pages
State and Revolutionary Marxism