ABSTRACT

This book, the first academic book on Pakistani documentary cinema, traces the development of activist filmmaking practices in Pakistan which have emerged as a response to the consequences of religious fundamentalism, extremism, and violation of human rights. Beginning with the period of General Zia-ul-Haq’s Islamization process (1977-88), it discusses a selection of representative documentary films that have critically addressed and documented the various key transformations, events, and developments that have shaped Pakistan’s socio-political, socio-economic, and cultural history. Such activist filmmaking practice in Pakistan is today an influential factor in addressing the politics, and negative and oppressive effects of the Islamization era, discriminatory laws, particularly gender-discriminatory Sharia laws, violation of human and citizen rights, authoritarianism, internal strife, the spread of religious fundamentalism, and the threat of Talibanization, and oppressive tribal customs and traditions. The contribution of Pakistani documentary filmmakers stands as a significant body of work that has served the cause of human rights, promoting awareness and social change in Pakistan, particularly regarding gender rights.

chapter |13 pages

Introduction

chapter 1|26 pages

Towards a theory of ‘Cinema of Accountability'

Critical perspectives on activist film practices

chapter 2|44 pages

Injustices on film

A reading of activist documentaries against the legacy of Islamization

chapter 3|45 pages

Cinema on Terror

Charting the militant mix of politics, religion, and Talibanization

chapter 4|57 pages

Victims of a vicious system

Women, violence, and human rights

chapter |18 pages

Conclusion