ABSTRACT

Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums.

Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres.

The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.

part I|131 pages

Expertise

chapter |4 pages

Introduction to Part I

part |12 pages

Groundwork

chapter 2|3 pages

Curation is spreading

chapter 3|7 pages

Who is HUO?

part |8 pages

Connoisseurship

chapter |6 pages

From connoisseurship to technical art history

The evolution of the interdisciplinary study of art

part |23 pages

Curatorial vision and institutional history

chapter 6|9 pages

On quality

Curators at the San Francisco Museum of Modern Art (1935–2010)

part |29 pages

Provenance

chapter 7|14 pages

Faked biographies

The remake of antiquities and their sale on the art market

chapter 8|13 pages

Renewing Nazi-era provenance research efforts

Case studies and recommendations

part |29 pages

Exhibition-making and the canon

part |21 pages

Linking past to present

chapter 13|10 pages

Curating contemporary art

Narrating the past and reflecting on the individual and the time

part II|158 pages

Engagement

chapter |5 pages

Introduction to Part II

part |13 pages

Groundwork

part |38 pages

The processes of cultural translation

chapter 15|19 pages

From entangled objects to engaged subjects

Knowledge translation and cultural heritage regeneration

chapter 16|17 pages

The fourth world theory in Wonil Rhee's curating

Focusing on post-colonialism

part |29 pages

Artists as curators

chapter 17|6 pages

The book in which we learn to read

Contemporary artists and their place within historical museums

chapter 18|6 pages

Curatorial relationality

chapter 19|15 pages

No good time for an exhibition

Reflections on the Picasso in Palestine project, Part I

part |26 pages

Relational practice with publics

chapter 20|12 pages

Other people's stories

Bringing public-generated photography into the contemporary art museum

chapter 21|12 pages

The unexpected guest

Food and hospitality in contemporary Asian art

part |27 pages

Negotiating the local and the global

chapter 22|8 pages

The right to be wrong

chapter 23|4 pages

Homegrown

The origins of performance art in Myanmar

chapter 24|13 pages

From object to subject

Conceptualizing ‘The Future of Tradition-The Tradition of Future’

part |14 pages

Navigating the pressures of censorship

chapter 25|6 pages

Encounters with censorship

chapter 26|6 pages

Art is not bioterrorism

The criminalization of critical cultural and intellectual production

part III|141 pages

Platforms

chapter |4 pages

Introduction to Part III

part |40 pages

Groundwork

chapter 27|17 pages

The roving eye

Southeast Asian art's plural views on self, culture and nation

chapter 29|15 pages

The transmedia museum

part |20 pages

Blurring the boundaries between performance, programme and exhibition

chapter 30|11 pages

‘The Play’

Reassembling African arts in the West'

part |40 pages

Appropriating the apparatus of the institution

chapter 32|12 pages

Trading Place

Museum of contemporary art

chapter 33|26 pages

Mockstitutions

part |10 pages

Curating interstitial spaces

chapter 34|4 pages

Invading the medias

Selma and Sofiane Ouissi's ‘Dream City’ (2010–)

chapter 35|4 pages

Bishan project

Restarting the rural reconstruction movement

part |25 pages

New models of curating in a network culture

chapter 36|15 pages

Reconfiguring curation

Noninstitutional new media curating and the politics of cultural production

chapter 37|8 pages

The politics of contemporary curating

A network perspective