ABSTRACT

Shortlisted for the 2017 Theatre Book Prize

What is it about theatre, compared to other kinds of cultural representation, which provokes such a powerful reaction? Theatrical Unrest tells the compelling tales of ten riots whose cause lies on stage. It looks at the intensity and evanescence of the live event and asks whether theatre shares its unrepeatable quality with history.

Tracing episodes of unrest in theatrical history from an Elizabethan uprising over Shakespeare's Richard II to Sikhs in revolt at Gurpreet Kaur Bhatti's Behzti, Sean McEvoy chronicles a selection of extreme public responses to this inflammatory art form. Each chapter provides a useful overview of the structure and documentation of one particular event, juxtaposing eyewitness accounts with newspaper reports and other contemporary narratives.

Theatrical Unrest is an absorbing account of the explosive impact of performance, and an essential read for anyone interested in theatre’s often violent history.

chapter |14 pages

Introduction

chapter 1|20 pages

Raising the dead

The Essex Rebellion of 1601 and Shakespeare's King Richard II

chapter 2|14 pages

Passion and revolt

Thomas Otway, Venice Preserv'd and the 1795 Westminster riot

chapter 3|18 pages

‘The Drama's laws the Drama's Patrons give’

The Covent Garden Old Price riots of 1809

chapter 4|18 pages

‘The most important occasion of the century'

Victor Hugo and the 1830 Battle of Hernani

chapter 5|22 pages

Theatre's bloodiest night

The New York riots of 1849

chapter 6|13 pages

Stand-off at Primrose Hill

The Shakespeare tercentenary of 1864

chapter 7|18 pages

Representing a nation

The 1907 Playboy of the Western World riot at the Abbey Theatre, Dublin

chapter 8|12 pages

‘You have disgraced yourselves again'

The Plough and the Stars at the Abbey Theatre, Dublin, 1926

chapter 9|14 pages

The French Republic under siege

Coriolanus in Paris, February 1934

chapter 10|12 pages

Dishonour and the sacred space

Behzti in Birmingham, 2004