ABSTRACT

The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.

chapter |10 pages

Introduction

part I|58 pages

The Public Sphere as a Theatrical Arena of Mocking Contest: Comedy, Mask, Laughter

part II|125 pages

The Rebirth of Theatre as Comedy out of the Spirit of Byzantium

chapter 4|52 pages

The Byzantine Spirit and Its Sources

chapter 6|29 pages

The Rise of Theatre in Venice

part III|56 pages

The Effect Mechanism of Commedia dell'Arte: Visions and Realities of Commedification

part IV|44 pages

The Rebirth of Commedia dell'Arte as the Avant-Garde

chapter |4 pages

Conclusion