ABSTRACT

This collection focuses on how architectural material is transformed, revised, swallowed whole, plagiarized, or in any other way appropriated. It charts new territory within this still unexplored yet highly topical area of study by establishing a shared vocabulary with which to discuss, or contest, the workings of appropriation as a vital and progressive aspect of architectural discourse. Written by a group of rising scholars in the field of architectural history and criticism, the chapters cover a range of architectural subjects that are linked in their investigations of how architects engage with their predecessors.

chapter |9 pages

Introduction

Authorship, transfer, rights, re-enactments

part I|62 pages

Authorship

chapter 1|11 pages

Signed, anonymous

The persona of the architect in the Mansion House debate

chapter 2|26 pages

The anxiety of anonymity

On the historiographic problem of Walter Gropius and The Architects Collaborative

chapter 3|23 pages

The power of association

Le Corbusier and the banlieues

part II|66 pages

Transfer

chapter 5|22 pages

Cold War adaptations

SIAL Školka’s real and imaginary architectural dialogues with the West

part III|73 pages

Rights

chapter 7|19 pages

Architecture and copyright

Rights of authors and things in the age of digital reproduction

chapter 8|26 pages

Sufficient originality

The legal contours of creativity in architecture

part IV|64 pages

Re-enactments

chapter 10|19 pages

By the book

Philip Johnson’s Ledoux redo at the University of Houston

chapter 11|14 pages

A careful misreading of precedent

The politics of transparency in the work of Lina Bo Bardi

chapter 12|15 pages

Not exactly the same

On the fantasy of “Chinese architectural copies”

chapter 13|14 pages

Città analoga

Aldo Rossi’s visual theory on display