ABSTRACT

This book is the first full-length critical study to explore the rapidly growing cadre of amateur-authored, independently-published, and niche-market picture books that have been released during the opening decades of the twenty-first century. Emerging from a powerful combination of the ease and affordability of desktop publishing software; the promotional, marketing, and distribution possibilities allowed by the Internet; and the tremendous national divisiveness over contentious socio-political issues, these texts embody a shift in how narratives for young people are being creatively conceived, materially constructed, and socially consumed in the United States. Abate explores how titles such as My Parents Open Carry (about gun laws), It’s Just a Plant (about marijuana policy), and My Beautiful Mommy (about the plastic surgery industry) occupy important battle stations in ongoing partisan conflicts, while they are simultaneously changing the landscape of American children’s literature. The book demonstrates how texts like Little Zizi and Me Tarzan, You Jane mark the advent of not simply a new commercial strategy in texts for young readers; they embody a paradigm shift in the way that narratives are being conceived, constructed, and consumed. Niche market picture books can be seen as a telling barometer about public perceptions concerning children and the social construction of childhood, as well as the function of narratives for young readers in the twenty-first century. At the same time, these texts reveal compelling new insights about the complex interaction among American print culture, children’s reading practices, and consumer capitalism. Amateur-authored, self-published, and specialty-subject titles reveal the way in which children, childhood, and children’s literature are both highly political and heavily politicized in the United States. The book will be of interest to scholars and students in the fields of American Studies, children’s literature, childhood studies, popular culture, political science, microeconomics, psychology, advertising, book history, education, and gender studies.

chapter |31 pages

Introduction

It's a Small World After All: Micro Markets, Specialty Subjects, and Customized Culture

chapter |30 pages

The Straight Dope

Ricardo Cortés's It's Just a Plant, Marijuana Use, and the Question of Prohibition Politics

chapter |32 pages

Nip/Tuck Truth

My Beautiful Mommy, the Medicalization of Motherhood, and the Harmful Condition of Childhood Innocence

chapter |31 pages

Good Things Come in Small Packages

Little Zizi, Schoolyard Bullying, and the Sexualization of Boys

chapter |24 pages

Will Power

Maggie Goes on a Diet, the Fully Autonomous Child, and the Hazards of Unsupervised Adults

chapter |24 pages

Boys Gone Wild

Me Tarzan, You Jane; the Crusade to “Cure” Prehomosexual Children; and the New Face of the Ex-Gay Movement in the United States

chapter |20 pages

Epilogue

Change and Continuity: Niche Market Picture Books and the Negotiation of Artistic Freedom, Iconoclastic Ideology, and Consumer Capitalism