ABSTRACT

This is the first annotated bibliography, in German or English, to gather the rich sources for German-language folk-music scholarship. It presents a comprehensive view of both historical and contemporary trends in a field embracing folkloristics and ethnomusicology, as well as philological and cultural studies. Beginning with early theories of folk song-formulated by Herder, Goethe, the Brothers Grimm, and others-the book examines the most important collections of the 19th-century folk-song movement, and surveys the 20th-century institutions and publications that have made folk-music scholarship essential to an understanding of German-speaking Europe. The book represents the enormous diversity of folk music. Ideas of genre and classification contrast with the ways in which minority and ethnic groups have contributed to the complex constructs of 19th- and 20th-century nationalism. The intellectual history in this book often takes the form of a clash between institutions and the forceful personalities of scholars who theorized that folk music was the product of individuals or the linguistic core of nations. Entries that illustrate the ways in which constructs of folk music have contributed to the politics of culture (e.g., in Nazi Germany or in the workers' culture of the former German Democratic Republic) also constitute the expansive musical landscape covered by this book The author includes diverse disciplinary perspectives, not just those of folklorists, but also concepts from ethnomusicology, historical musicology, and religious and cultural studies. In addition to traditional studies of the canons of German folk music (e.g., ballads and singing-society repertories), Bohlman includes studies of religious and ethnic minorities, and of German folk music in nations and regions outside Central Europe. The comprehensive nature of this book, not only makes available a rich history of scholarship, but also contextualizes Central European folk music as a vital and critical discipline for the interpretation of a changing Europe. Includes index.

chapter

Introduction

part

I Approaching The Subject

chapter 1|29 pages

Genre

chapter 2|20 pages

Editions and Collections

chapter 3|15 pages

Melodic Classification and Analysis

chapter 4|17 pages

Instruments and Instrumental Music

part II|68 pages

Fields of Folk-Music Scholarship

chapter 6|20 pages

Theory and Methods

chapter 7|24 pages

Theoretical Schools

chapter 8|21 pages

Related Disciplines

part III|76 pages

Social Contexts of Folk Music

chapter 9|14 pages

Musicians

chapter 10|14 pages

Musical Institutions

chapter 11|22 pages

Speech Islands and Emigrant Music Cultures

chapter 12|22 pages

Regionalism and Nationalism

part IV|53 pages

Wozu Volksmusik? Past, Present, and Future

chapter 13|18 pages

Historical Folk-Music Research

chapter 14|15 pages

Intellectual History

chapter |17 pages

15 Religious and Ethnic Minorities