ABSTRACT

The long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processes. Over and above a full update and revision of the technical data, there are new sections on digital negative making, electrophotography, and self-publishing. Foremost practioners, including Edward Bateman, Dan Burkholder, Tom Carpenter, Mark Osterman, France Scully Osterman, Jill Skupin Burkholder, Brian Taylor, and Laurie Tümer, have contributed their expertise to this edition. Perfect for practitioners or students of handmade photography, the book covers classic black-and-white film and paper processes, hand-coated processes like Cyanotype, and Platinum/Palladium. Also featured is an enhanced section on gum bichromate, invaluable instruction on workflow, and the integration of digital, promoting the effective union of one’s concepts, materials, and processes. The book showcases work and commentary from more than 150 international artists.

chapter 2|8 pages

Predarkroom Actions: Imaginative Thinking

chapter 3|24 pages

Special Classic Cameras and Equipment

chapter 5|8 pages

Formulas of One’S Own

chapter 6|28 pages

Black-And-White Film Developers

chapter 8|16 pages

Black-and-White Paper Developers

chapter 9|18 pages

Toning for Visual Effects

chapter 10|26 pages

Classic Historic Processes

chapter 11|22 pages

Pigmented and Alternative Processes

chapter Addendum 1|4 pages

Safety Guidelines