ABSTRACT

An invaluable collection of documents and discussions of the work of one of the most significant theatre practitioners of the last fifty years.
This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical. Kantor's work offers some of the most disconcerting allegories of Modernism and a quintessential expression of the unconscious during a bitter period of human history. Kantor's stern but affectionate guardianship of his troupe of travelling players comes off Miklaszewski's pages with warmth, humanity and humour.

chapter |4 pages

Introduction

chapter |5 pages

2 Towards The Impossible Theatre

(Conversation, June 1972)

chapter |16 pages

3 Tadeusz Kantor's Cloakroom

(Film script, 1973–1974)

chapter |4 pages

4 Lovelies And Dowdies

(Critical Commentary, 1974)

chapter |8 pages

5 Dead Class, Or A New Treatise On Mannequins

(Conversation, October 1975)

chapter |5 pages

6 A Gripping SÉance

Dead Class

chapter |21 pages

7 Around The World With Dead Class

chapter |5 pages

8 Kantor In Opposition To Himself

(Conversation, July 1980)

chapter |9 pages

9 Between Absolute Form And The Revelation Of Feeling

Wielopole, Wielopole

chapter |10 pages

11 Cricotage Under Villon's Banner

Où Sont les Neiges d'Antan?

chapter |10 pages

12 The Theatre Is Art, First And Foremost

(Conversation, November 1983)

chapter |10 pages

13 Let The Artists Die!

(Notes from the year 1985)

chapter |5 pages

14 I — The Master

A documentary on the making of Kantor's Let The Artists Die! by Krzysztof Miklaszewski (1985–1986)

chapter |4 pages

16 Did I Help Or Did I Hinder?

(Conversation, July 1986)

chapter |3 pages

17 Exegi Monumentum, Or The Machine Of Love And Death

(Description in dialogue form, July 1987)

chapter |8 pages

18 “… Nothing Further …”

(Notes from conversations, March 1988)

chapter |4 pages

19 Between Love And Death

(Kantor's Farewell, 15 December 1990)