ABSTRACT
The questions people started asking in connection with Kantor's next venture, when he said he was starting on a new production, are reminiscent of those found in the sporting press on the future attainments of some famous outstanding sportsman. Will he succeed yet again? Can Kantor sustain his almost ten-year domination of world theatre? Will he once again manage to grab everyone by the ears and affect them as powerfully as he did in Dead Class or Wielopole, Wielopole?
