CHIVALRY, AS REPRESENTED BY ARCHÆOLOGY AND IN PICTORIAL ART
THE famous romances of the Middle Ages supplied endless subjects for sculptors in ivory as well as for the painter, the illuminator, and the enameller. They may be referred, in general, to four classes, of which the first and the fourth seem to have been the favourite sources from which were taken the decorations of caskets and mirror cases. They were: I. Those relating to Arthur and the Knights of the Round Table. 2. Those connected with Charlemagne and his Paladins. 3. The Spanish and Portuguese romances, which chiefly contain the adventures of Amadis and Palmerin.