ABSTRACT

Toni Morrison, Alice Walker, Paule Marshall, and Mary Prince represent the best of African American women writers who draw on the tortuous legacy of their people as a source for their art, revealing and defining themselves as they create compelling narratives that illuminate their roots, their heritage, and their unique culture. The themes that suffuse their writing are family, community, strong women, cultural memory, oral history, and slavery. By analyzing the works of these four remarkable writers, the study shows how today's black woman can take control of her destiny by coming to grips with an obscured and distorted past. These original essays articulate the way in which historical awareness, sensitivity to language, and an understanding of stereotypes can empower enduring artistic visions in a world that is largely indifferent to marginal voices.

chapter Chapter 1|26 pages

Literary Quilting

History, Language, and Identity in Women’s Diasporic Texts

chapter Chapter 2|26 pages

The History of Mary Prince, A West Indian Slave, Related by Herself

History, Ancestry, and Identity

chapter Chapter 3|28 pages

Toni Morrison’s Beloved

Evolving Identities from Slavery to Freedom

chapter Chapter 4|22 pages

Alice Walker’s The Color Purple

Racism, Sexism, and Kinship in the Process of Self-Actualization

chapter Chapter 5|20 pages

Paule Marshall’s Praise song for the Widow

Afro-Caribbean Rituals of Power, Place, and Identity