ABSTRACT

Beth Henley was awarded the Pulitzer Prize in Drama and the New York Drama Critics Circle Award for Best American Play for her first full-length play, Crimes of the Heart, yet there has been no book-length consideration of her body of work until now. This volume includes original essays that contextualize and analyze her works from a variety of perspectives, focusing on her vexed status as a southern writer, her use of the comic grotesque, and her alleged feminist critiques of modern society. Receiving special attention are lesser-known plays which are crucial to understanding Henley's development as a playwright and postmodern thinker.

chapter 1|31 pages

“Dancing on the Edge of a Cliff”

Images of the Grotesque in the Plays of Beth Henley

chapter 2|10 pages

Lessons from the Past

Loss and Redemption in the Early Plays of Beth Henley

chapter 3|22 pages

Moving beyond Mississippi

Beth Henley and the Anxieties of Postsouthernness

chapter 5|17 pages

Abundance or Excess?

Beth Henley's Postmodern Romance of the True West

chapter 6|23 pages

Existential Despair and the Modern Neurosis

Beth Henley's Crimes of the Heart

chapter 7|26 pages

Southern Firecrackers and “Real Bad Days”

Film Adaptations of Beth Henley's Crimes of the Heart and The Miss Firecracker Contest