ABSTRACT
Brown, Julia Prewitt, Jane Austen's Novels: Social Change and Literary Form, Cambridge, Massachusetts: Harvard University Press, 1979
PETERSBURG 999
Butler, Marilyn, Jane Austen and the War of Ideas, Oxford: Clarendon Press, 1975; New York: Oxford University Press, 1987
Johnson, Claudia L., Jane Austen: Women, Politics, and the Novel, Chicago: University of Chicago Press, 1988
Kelly, Gary, Women, Writing, and Revolution, I790-I827, Oxford: Clarendon Press, and New York: Oxford University Press, 1993
Poovey, Mary, The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen, Chicago: University of Chicago Press, 1984
Roberts, Warren E., Jane Austen and the French Revolution, London: Macmillan, and New York: St. Martin's Press, 1979
Tanner, Tony, Jane Austen, London: Macmillan, and Cambridge, Massachusetts: Harvard University Press, 1986
At the beginning of the 20th century, Russian literature enjoyed a renewal led by poets and dramatists. Groups with names like "Symbolists," "Futurists," and "Acmeists" developed new techniques and proposed new principles of art with astonishing rapidity. While these artists hardly agreed on a single method or goal for literary creation, they generally concurred in demanding a rethinking of the nature of art, perception, and tradition. Andrei Belyi's Petersburg was the first novel to register this cry successfully.
