ABSTRACT
Socialist realism was the official literary “method” or “theory” of Soviet literature virtually until the breakup of the Union in 1991. After Stalin died, however, in 1953, writers began to dismantle the tradition, pushing the limits of the possible. This process continued until, by the late decade or so of Soviet rule, most literary practice had strayed a long way from what, in the 1930s and 1940s, might have been accepted as socialist realism. Yet, at the same time, the conventions of socialist realism had become so ingrained as habits of composition that in the first decades of the post-Stalin period even dissident writers rarely broke out of its formal, as distinct from ideological, mould (the legacy of socialist realism can be found, for example, in the early novels of Solzhenitsyn). This essay, however, will discuss socialist realism only in its most classical, Stalinist version and will not treat the successive layers of complexity that accrued to the tradition in the post-Stalin years.
