ABSTRACT

It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the open sesame for new music in America. Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's adventurous promotion of automobile junkyards for the finding of new sounds. In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne In this major book of articles

chapter 1|12 pages

Henry Cowell

Living in the Whole World of Music

part one|132 pages

Music

chapter 2|79 pages

“Worlds of Ideas”

The Music of Henry Cowell

chapter 3|50 pages

The Hymns and Fuguing Tunes

part two|24 pages

Two Personal Views

chapter 5|8 pages

Learning from Henry

part three|54 pages

Words

chapter 6|52 pages

Subversive Prophet

Henry Cowell as Theorist and Critic