ABSTRACT

In this fascinating study of Northwest Coast art, Jonathan Meuli has not only outlined a history of ideas associated with Northwest Coast art objects from pre-Contact time to the present day, but has also examined the ways in which the physical location and contexts in which the objects are produced has helped to determine their meanings. Locating his linear historical narrative within a wider exploration of ethnographic art ideas, which emphasizes links across cultures, Meuli examines the differing attitudes towards Northwest Coast material culture, particularly as these are embodied in oral mythic narratives, collection methods and architectural constructions.

chapter |14 pages

Introduction

chapter I|88 pages

‘The carvings on the houseposts winked their eyes …'

Indigenous Northwest Coast Aesthetics

chapter II|84 pages

‘Remember the sacred room and its paintings …'

Indigenous Northwest Coast Art History

chapter III|68 pages

‘How pregnant with meaning is every carving …'

Collecting Objects and Ascribing Meanings

chapter IV|82 pages

‘It is deep to where most of it has sunk …'

Art on the Coast in the 20th Century