ABSTRACT
This chapter provides an overview of the main social and political issues explored in post-war French chanson. The Office de Radiodiffusion-Teleision Francaise urged programme makers to avoid playing songs of a political nature, claiming that sensitive issues could be dealt with much more responsibly by established current affairs programmes. Jean Ferrat, who belonged to the same generation of singer-songwriters as Leo Ferre and Georges Brassens, was a notable victim of political censorship in 1969, following an appearance on the French television programme, Invite du Dimanche. Ferre’s anti-bourgeois critique is particularly contemporary, realistic, and hard-hitting, as his social satire is firmly grounded in the cultural and political landscape of 1960s France. Brassens refused to involve him in contemporary political debates. Although Brassens tended to stick to general targets in the field of politics and society, his anti-nationalist critique was much more focused.
