ABSTRACT

Leonardo Vinci’s Li zite ’n galera (The Newlyweds on the Galley) 1 has been afforded a moderate degree of attention by musicologists because it is the first Neapolitan commedia per musica to survive with music almost completely intact. 2 It is also Vinci’s first extant opera, and has thus been considered in terms of the light it sheds on the style of his later drammi per musica 3 for which he is better known today. 4