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Chapter

Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute

Chapter

Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute

DOI link for Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute

Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute

BookBerio's Sequenzas

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Edition 1st Edition

First Published 2007

Imprint Routledge

Pages 18

eBook ISBN 9781315096476

ABSTRACT

The ideal listener is the one who can catch all the implications; the ideal composer is the one who can control them.

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