ABSTRACT
The chapter begins with the hermeneutic philosophical sensibility and describes the relationship between aesthetic theory, interpretation, meaning creation and active involvement of the reader or user of interpretation. The interactivity between the human, the animal and the artifact is shown as a poetic performance, and as sensible knowing and aesthetic judging in the texture of the artwork dedicated to the sense of sight. The connections-in-action between the aesthetic, hermeneutic and performative philosophical sensibilities and the aesthetic, archaeologic, artistic and empathic-logical approaches are variegated and subjected to hybridization and metamorphosis. Philosophical sensibility is a concept aimed at delineating the hybridization of organizational theory and philosophy on the aesthetics of the organization. Language, according to Hans-Georg Gadamer's aesthetic hermeneutics, is also of fundamental importance to create a sense of commonality, and this aspect has had a significant relevance for the interactions between the police detective and the prominent protagonists of the French Theory.
