ABSTRACT

Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills.

Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students.

This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.

chapter |4 pages

Introduction

chapter 1|29 pages

There’s No Such Thing as a Still Life

Image-Making as a Rehearsal Process

chapter 2|44 pages

Drawing from Experience

The Artist as Model

chapter 3|43 pages

Drawing, Hunting, Praying

Capturing and Responding to Movement

chapter 4|36 pages

Sound – Action – Image

Acting Out Typography

chapter 5|40 pages

Image-Making in Public Spaces

The Streets as Immersive Theatre

chapter 6|29 pages

Re-Evaluating the ‘Crit’

The Drama of Giving and Receiving Feedback

chapter 7|39 pages

Making the Most of Misunderstandings

Between Intention and Interpretation